HOKUSAI.

Hokusai-Katsushika.org is the largest database of Katsushika Hokusai's work for reference and education purpose. When I am one hundred and ten, each dot, each line will possess a life of its own.In 1839, a fire destroyed Hokusai's studio and much of his work. His most popular work is the

For the eponymous crater on Mercury, see Adopted by the mirror maker Ise Nakajima, Hokusai was raised as an artisan, learning to engrave at an early age. Original Hokusai Prints For Sale Japanese greatest artist in history Katsushika Hokusai (1760-1849) excelled in all ukiyo-e genres. British Museum. By age 14, he served as an apprentice to a woodcarver, by age 18 he began studying ukiyo-e printmaking with Shunsho.

Two instances are documented in letters he wrote to the publishers and block cutters involved in the production of his designs in In 1811, at the age of 51, Hokusai changed his name to In 1820, Hokusai changed his name yet again, this time to "Iitsu," a change which marked the start of a period in which he secured fame as an artist throughout Japan. Retrieved 2010-07-19. Hokusai's name changes are so frequent, and so often related to changes in his artistic production and style, that they are used for breaking his life up into periods.At the age of 12, his father sent him to work in a bookshop and After a year, Hokusai's name changed for the first time, when he was dubbed Shunrō by his master. This article is about the Japanese artist. In 1798, Hokusai passed his name on to a pupil and set out as an independent artist, free from ties to a school for the first time, adopting the name Hokusai Tomisa. He produced many brush paintings, called surimono, and illustrations for kyōka ehon (illustrated book of humorous poems) during this time. He fathered two sons and three daughters with these two wives, and his youngest daughter Ei, also known as Upon the death of Shunshō in 1793, Hokusai began exploring other styles of art, including European styles he was exposed to through French and Dutch copper engravings he was able to acquire.Hokusai also changed the subjects of his works, moving away from the images of courtesans and actors that were the traditional subjects of ukiyo-e. Even after his death, Hokusai’s artwork had a profound influence on Western art and the development of Japonisme. He made designs for book illustrations and woodblock prints, sketches, and painting for over 70 years.Even after his death, exhibitions of his artworks continue to grow. Description: Katsushika Hokusai (1769-1849) Original Japanese colored woodcut 19,5 x 30 cm, with frame 25,8 x 37,5 cm // Attention: We have opened the frame: The print is all around, approx. These prints are famous both in Japan and overseas, and have left a lasting image in the worldwide art world. He died on 10 May 1849 (18th day of the 4th month of the 2nd year of the Hokusai had a long career, but he produced most of his important work after age 60. In 2005, Tokyo National Museum held a Hokusai exhibition which had the largest number of visitors of any exhibit there that year.For readers who want more information on specific works of art by Hokusai, these particular works are recommended. Katsushika Hokusai was a brilliant artist, ukiyo-e painter and print maker, best known for his wood block print series Thirty-Six Views of Mount Fuji, which contain the prints The Great Wave and Fuji in Clear Weather. Japanese artist, Hokusai Katsushika, was born in Edo as Tamekazu Nakajima. Hokusai dedicated himself to the Katsukawa school until 1785, when he was dismissed due to a disagreement with Shunsho. He had also adopted the name he would most widely be known by, Katsushika Hokusai, the former name referring to the part of Edo where he was born and the latter meaning, 'north studio'. Hokusai dedicated himself to the Katsukawa school until 1785, when he was dismissed …